As I was building my Fall 201 course this summer, I thought back to my reading of “Infrastructure and Composing: The When of New-Media Writing.” CCC 57.1 (2005): 14-44 last Spring. After a couple years of teaching at NMU, with its amazing tech services and support, and then coming to UW-Madison, I quickly learned to deal with constraints when trying to teach with technology.
From a complete lack of access to even a LCD projector in the dungeon-like (In)Humanities bldg to the English Department’s “media cart” which cannot fit into most of the classrooms unless dismantled first (this changed last year, when we got a portable projector) & the inital inability of TAs to checkout technology with the new onlinereservation service, I had to do a lot of legwork to get what I wanted for my students during my first 2 years of teaching here. Getting assigned to teach in one of the residence halls granted me access to their portable projector, in-classroom tv/vcr/dvd cabinet, and a computer lab I could reserve in the nearby ARCH.
This year became a bigger challenge. Not only was a teaching a new course that isn’t taught in the reshalls—-EN 201 is taught exclusively in English Department—-but also I was planning to have my student writing with new media: Photoshop, Flash, Fireworks, Dreamweaver. The success of my class depended upon the “infrastructural frameworks” of the university.
Knowing the department couldn’t help me, I knew on one place that could: a nearby library had a computer classroom, with two lcd projectors (and 2 screens), all the software I needed, and 14 computers (5 less than I needed, but a lab of dozens of computers is just outside the door). I was incredibly excited to have this space for most of the semester. It was the best space I knew of, although the Writing Center had received a grant just before the semester began, and it was rumored to be getting Studio 8 and Photoshop CS2. However, when I got to the library classroom, I was told that only one projector worked, meaning that one-half the class couldn’t see the second screen clearly. But that didn’t really matter because the second projector’s image was so washed out, the students who could see that image couldn’t see that image. To the classroom staff’s credit they do have a $40,000 grant in the works for need projectors, but it’s essential that my students see what I’m doing on the screen.
Luckily the WC lab did get Studio 8 and PCS2 as a part of their upgrade, and I was able to reserve the lab for all but a few days this semester.
I knew going in that without an adequate infrastructural framework for this new media writing course, the class would fail, and so those of us interested in teaching with technology need to be aware of the constraints on our individual institutions.